Architecture · Italy

Rome in Stone — Architecture Across Millennia

Five days of verticals, courtyards, and arranged access: photographing twenty-eight centuries of construction with Hugo Marchetti's draughtsman discipline.

Rome in Stone — Architecture Across Millennia
Dates
26–30 October 2026
Duration
5 days
Skill level
Intermediate
Price
€1,720 per seat
Seats
5 of 8 remaining
Languages
English, Italian, French
Booking places no charge until we confirm your seat.

The workshop

Rome is the architecture workshop's natural campus: republican columns, baroque theatrics, Fascist-era marble metaphysics, and the ochre residential city that binds them — all within tram distance. Hugo Marchetti photographs buildings the way he once drew them, from the plan outward, and the workshop installs that discipline: perimeter walks before first exposures, verticals kept honest, light tracked across facades by the hour.

Arranged access opens what tourism can't: a Borromini interior at dawn, EUR's marble halls, and a working restoration site where the city repairs itself in scaffolding and lime.

Your instructor
Hugo Marchetti

Hugo Marchetti

Turin · Architecture · large format

Hugo apprenticed as a draughtsman and photographs buildings the way he once drew them — from the plan outward. He teaches verticals, patience, and the courtesy of asking permission.

Itinerary
01Day 1 — The plan outwardMethod morning: reading a building before photographing it, with the Pantheon as the textbook. Afternoon: verticals bootcamp on the shift lenses. Dusk: the colonnade at St. Peter's, empty.
02Day 2 — Baroque lightArranged dawn access to a Borromini interior — the oval geometry in raking light. Afternoon: facade-tracking exercise on the Corso, one building photographed hourly.
03Day 3 — The modern argumentsEUR's marble metaphysics by morning; Zaha Hadid's MAXXI by afternoon — two centuries arguing, one camera settling it. Evening critique.
04Day 4 — The working cityRestoration-site access: scaffolding, lime, and the craftspeople keeping Rome standing. Testaccio's industrial heritage after lunch. The 'truth around the back' assignment issued.
05Day 5 — Portfolio dayMorning to close personal gaps (the assignment reviewed), afternoon edit: ten frames that read as one argument about construction. Prints and prosecco.
Highlights
  • Arranged access: Borromini at dawn, EUR interiors, a live restoration site
  • Shift-lens teaching with loaner glass
  • The facade-tracking exercise — light as a schedule
  • Twenty-eight centuries inside one tram network
What to bring
  • Wide zoom; tilt-shift if owned (workshop loaners: two 24mm shifts)
  • Tripod — permits held for the group where needed
  • Polariser for travertine glare
  • Comfortable soles rated for cobbles
Included
  • Five days' teaching and all arranged access
  • Tripod permits for group sites
  • Loaner shift lenses in rotation
  • Welcome and closing dinners
Not included
  • Flights and accommodation (Monti and Testaccio lists provided)
  • Most meals
  • City transport (~€20 in passes)
  • Travel insurance (required)
The practical life

Accommodation

Not included; recommended guesthouses in Monti put the Forum on your pre-breakfast walk.

Meals

First and last dinners included; Rome objects to further interference.

Getting around

Trams, feet, and two pre-dawn taxis for the access mornings.

Where

Centro Storico, Rome, Italy

Open in Google Maps ↗ · Rome city guide → · Photographing Italy

From the field
The oval geometry at dawn — arranged access, raking light.
The oval geometry at dawn — arranged access, raking light.
EUR's marble metaphysics: de Chirico with parking.
EUR's marble metaphysics: de Chirico with parking.
Participants, verbatim

The hourly facade exercise sounds dull and is the best single lesson in light I've ever had. By 4 p.m. the building was a different building, and I have the proof in sequence.

Nadia S., Rotterdam, Netherlands

The restoration site turned architecture photography into documentary — hands, lime, and scaffolding. My best frames of the week weren't of buildings; they were of Rome maintaining itself.

Paul G., Chicago, USA

Questions, answered

Do I need a tilt-shift lens?

No — two loaner 24mm shifts rotate through the group, and honest software correction is taught alongside. Most participants use the loaners for two days and then decide with their own wallets.

How much walking on those cobbles?

Eight to ten kilometres daily at deliberate pace with tram assists. The cobbles are the real terrain: bring soles, not fashion.

5 seats remaining.

Departures are deliberately small and tend to fill from the newsletter. Booking places no charge — we confirm your seat personally, then arrange payment.

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