Mobile · Tiong Bahru, Singapore

In Your Pocket — Mobile Photography, Singapore

Three days proving the phone is a camera: raw capture, fixed-lens discipline, storm-light timing, and prints that surprise everyone, in the garden city.

In Your Pocket — Mobile Photography, Singapore
Dates
9–11 October 2026
Duration
3 days
Skill level
All levels
Price
€640 per seat
Seats
8 of 12 remaining
Languages
English
Booking places no charge until we confirm your seat.

The workshop

The phone is the most-used camera in history and the least seriously taught, and Singapore — hawker theatre, HDB geometry, nightly storm light — is the perfect place to take it seriously. Priya Sharma teaches computational exposure and its limits, raw capture, and lens discipline on the fixed focal lengths, ending in prints, because phone photographs survive paper better than anyone expects.

The city's compactness is the curriculum's ally: three days cover street, architecture, food, and night without a vehicle, and the storm schedule provides drama on a near-daily contract.

Your instructor
Priya Sharma

Priya Sharma

Jaipur · Travel · colour and restraint

Priya's work argues that travel photography is portraiture of places. She teaches colour the way musicians teach rests — what you leave out is the composition.

Itinerary
01Day 1 — The camera you haveRaw setup, exposure lock discipline, and the fixed-lens walk: Tiong Bahru's streamline shophouses on the main camera only. Storm-light briefing: the pre-storm, the shelter, the washed streets after.
02Day 2 — Density and colourLittle India's saturation morning (colour restraint on the most colourful streets available), hawker-centre food craft with buying-first manners, and HDB geometry in the afternoon grid. Evening: Gardens blue hour, tripod-free technique.
03Day 3 — The print argumentMarina Bay's post-storm reflections at dawn if the sky cooperates, then the edit-and-print session: each participant's best eight at postcard size, best one at A4. The prints close the argument the phone started.
Highlights
  • Raw mobile workflow installed and practised, not just described
  • Storm timing as a photographic schedule
  • Colour restraint taught where it's hardest
  • The A4 print that ends the 'just a phone' conversation
What to bring
  • A phone from the last four-ish years (raw app set up on day one, help included)
  • A power bank — the phone is now a working camera and eats accordingly
  • Clean lens cloth: the number-one image-quality upgrade in mobile photography
Included
  • Three days' teaching
  • All printing
  • Hawker meals during sessions (the fieldwork is edible)
  • App recommendations without commissions
Not included
  • Flights and accommodation
  • Non-session meals
  • Travel insurance (required)
  • A new phone — the old one is the point
The practical life

Accommodation

Not included; Tiong Bahru and Chinatown stays put every session in walking or two-stop range.

Meals

Session hawker meals included — photographed first, obviously.

Getting around

The MRT covers everything; a stored-value card is issued with the joining notes.

Where

Tiong Bahru, Singapore

Open in Google Maps ↗ · Singapore city guide →

From the field
Post-storm reflections on schedule — the nightly contract.
Post-storm reflections on schedule — the nightly contract.
HDB geometry: public housing as op-art.
HDB geometry: public housing as op-art.
Participants, verbatim

The A4 print of my hawker frame stopped my husband mid-sentence. Three days, the phone I already owned, and the best photograph in our flat.

Nina R., Jakarta, Indonesia

Exposure lock and a clean lens — embarrassingly simple, completely transformative. My camera-camera has improved too, which I didn't see coming.

Colin M., Perth, Australia

Questions, answered

Which phones qualify?

Anything recent enough to run a raw-capable app — roughly the last four or five years of the major makes. Day one includes setup surgery; nobody has yet been turned back at the lens cloth.

Is this photography-lite?

The exposures are computational; the seeing is not. Composition, timing, and light transfer entirely — this is a photography workshop that happens to fit in a pocket.

8 seats remaining.

Departures are deliberately small and tend to fill from the newsletter. Booking places no charge — we confirm your seat personally, then arrange payment.