Street
The discipline
Street photography is repetition. The same corner at the same hour, until the corner starts to offer you things. Our street workshops are walked, not lectured: small groups, one focal length, and cities chosen for their willingness to be looked at.
We teach anticipation over reaction, courtesy over stealth, and the edit — because a street photographer is measured by the pictures they refuse to show.
Departures
Tokyo, Noticed — Street Intensive
Five days, twelve blocks, one focal length: Kenji Nakamura's Tokyo method applied to your eyes.
9–13 November 2026 · 5 days · €1,650 · Kenji Nakamura
Tempo — New York Street Week
Five days at the reference city's walking speed: subway craft, Coney Island's democratic studio, and the crosstown light that invented street photography's habits.
10–14 May 2027 · 5 days · €1,750 · Kenji Nakamura
Field notes
Pick one lens for the week. Doubt is heavier than glass.
Work the scene until someone notices you; then smile and stay.
Ten good frames a month is a serious rate. Relax.
Questions, answered
Is it legal to photograph strangers?
Laws differ by country and each workshop covers its local rules on day one. Beyond legality we teach a simpler standard: behave as if the person will see the photograph.
What camera suits street work?
Small, quiet, and fast to raise. A phone is genuinely acceptable; a rangefinder is traditional; anything discreet works.
Will we shoot at night?
Most street workshops include at least one evening walk — the city changes staff at dusk, and so does the light.
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